The "Peralta" Stone Maps --- On Their Own

In other words Somero, out of selfishness, and emotion for a relation, they may lie to you about being 18. To protect yourself from criminality, the destruction, the disposition of accidents, with the difficulties, sickness, and danger, verify it. "Comprende" now?



Experiences with minors eh Corozon ??? :laughing7:

don Jose de La Mancha

 

"The number 18 is in relation, in cabalistic numerology, with emotions, the secrets, the lie, the selfishness, the criminality, the destruction, the disposition of accidents, with the difficulties, the sickness, the danger."

Good?

Hi Hal,

This facet may be worth studying: The 18[SUP]th[/SUP] degree of the Scottish Rite, 'Knight Rose Croix', is a degree that teaches how men prey on each other and that hate and fear cause unnecessary wrongs and even death. However, with Faith, Hope and Love, the Mason may help the cause of his fellow man.

The number 18 symbolize those which did not want to receive the Name of Jesus, or who having received it, did not persevere. Thibaut Of Langres arrived at this conclusion due of the fact that the first two letters of the Name of Jesus, iota and eta, according to the Greek represents the number 18.

From what I understand the Scottish Rite had built the Coke Ovens and these five structures were included into the depository design.

I almost forgot;
The card 18 in the tarot corresponds to "the moon".

Later,

Ellie B

 

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Hi to All,

The techniques used by the Stone Map Architects to hide clues and images in the Florence Quads were also used by other historical artists. Nicolas Poussin was one of them as can be seen by looking carefully for hidden images, signs and symbols in his painting entitled "Et en Arcadia". Notice the heart that the shepherd is pointing to on the tomb. There are others, if you take your time and "search/study the painting". Nicolas had a close friend who just happened to be a Jesuit.

You'll need to click on the image to view a better representation. It looked OK when I first posted it here.

Nicolas Poussin-non-louvre.jpg

The shadow monuments were created in a similar way, similar technique. The stone maps are part of a very mysterious historic riddle, worth repeating.

Ground Hog Day tomorrow,

Ellie B
 

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"Notice the heart that the shepherd is pointing to on the tomb."

Looks more like he's pointing at the "R" to me, EB.
And the guy on the right seems to be pointing at the guy on the left, so the heart must be hidden pretty good.
But maybe I'm just not looking at it the right way.

EtInArcadia.jpg
 

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SH,

Perspective and distance play two important roles in the identification of this shadow induced art form. Perspective is primarily based on what the beholder identifies, unless he or she has been trained to look for something else, like a heart, letters, numbers and other hidden images. The technical aspects of this profession must be taught by becoming an initiate, learn the craft (apprenticeship) and finishing as a journeyman.


Nicolas Poussin-non-traced heart.jpg

An example of stacked images; first the tomb, then a heart and finally the letter "R". There are more images within the primary image, the painting itself..

Distance is one technique used to identify stacked images. An image clearly identified from a distance of 25 miles will diminish in clarity the closer you get to it. However, another group of images will appear as you move towards the initial image. As you continue to move even closer the secondary images seem to vanish and another group of images appear in their place. By placing all of the images together into one picture we have stacked the images, each one laid on top of the other.

For example;

From a distance of five miles we recognize the image of a horses' head, his mane is displayed as a shadow. As we get closer we notice a man and a woman are kissing each other, his hand touching her cheek, the image, hidden in the horses' head beneath his eye. As we get even closer we soon realize that an image of three men and two women are looking directly at us, very strange, they were hidden in the hair of the woman kissing the man. I have never in my life witnessed this type of art form, ever! I thought I was going nuts and when I told others they thought I was too.

SH, do you better understand this train of thought?

Take care,

Ellie B
 

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Nah, I think that train left without me, EB.
Probably why I finished the trip somewhere else.
Looking down at the remains of someone's domus.

100_1524 domus sm.png

At least that's how it's labeled on that heart of stone.

Regards:SH
 

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Nah, I think that train left without me, EB.
Probably why I finished the trip somewhere else.
Looking down at the remains of someone's domus.

View attachment 939580

At least that's how it's labeled on that heart of stone.

Regards:SH

SH,

Interesting photograph. In the upper/center portion of the photo is a boulder or rock outcrop that is displaying four numbers. There are more letter/numbers displayed to the right inscribed on the outcrop in the background. Image stacking at work. I think I can make out the letter "V", don't know about the rest.

domus sm-SH.png Do you have a better image of the outcrop to work with?

Have a great day unless your a Denver fan.

Ellie B
 

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Nah, I think that train left without me, EB.
Probably why I finished the trip somewhere else.
Looking down at the remains of someone's domus.
At least that's how it's labeled on that heart of stone.

Regards:SH

Any sign of the other two?
 

Haven't really had enough time to look. August was too hot to spend more than a few hours, much of it in whatever shade I could find, trying to keep my body temp down on the first day out. By 10:30 am, the thermometer on my pack was already maxed out at something over 120. Could have ended badly, if I hadn't known my way around, and where there was water. Second day was better, since early cloud cover kept the heat down a bit, but we had other things to look for and the clouds didn't last long enough. Other days were spent out at Queen Creek, Casa Grande, and the old store/Burns Ranch area.
Went back for some more looking around in October/Rendezvous weekend. But it's a long list, and the hike in and out eats up a significant part of the day, leaving only enough time to check mark or cross-off an item or two each day.

Regards:SH.
 

It's a neat place to while away the hours, EB.
Rugged and damn hot if the sun is high.
I can't say if those numbers you see are there or not, and I don't think I have another shot from anywhere closer, at least of the same side.
But I'll have a look when I have some more time, just in case. I'll also add it to the list, and check it out next time, but am really only looking for what's been carved on the stones and can be found at the right places. Any extras will have to wait until I've matched all of those first.

Regards:SH.
 

It's a neat place to while away the hours, EB.
Rugged and damn hot if the sun is high.
I can't say if those numbers you see are there or not, and I don't think I have another shot from anywhere closer, at least of the same side.
But I'll have a look when I have some more time, just in case. I'll also add it to the list, and check it out next time, but am really only looking for what's been carved on the stones and can be found at the right places. Any extras will have to wait until I've matched all of those first.

Regards:SH.

10-4 SH,

One of my partners is always asking me why can't we go out to heart while the weather is so nice? Then he will say, "I know, we have to wait until July and August when it's so darn hot." He repeats the same phrase every winter and we all start to laugh. "What the hell, we ain't got nothing better to do than cook our butts off and pull cholla spines out of our flesh, right?", he'd reason.

We leave about three AM and arrive prior to dawn. Set up camp and prepare to leave. Guns and ammo ready, combs, pocket mirrors, walkie talkies, plenty of water, camera, GPS, first aid kit, hats, walking sticks, maps, binoculars, compass, survey flagging tape, pliers and a good knife. We already knew where we were going and had a midpoint pre-determined and if we didn't make it we returned to base camp. Never hike in the dark as it always turns out to be painful. Average temps this time of year reach 120-126 degrees and even higher in heavy rock strewn terrain. Drink often, rest often and don't overdo it. One person usually stays in camp to prepare a meal and that is a prime motivator to get on back. We talk, tell stories, have a little drink and then its off to bed and start again the next day. The stories we could tell. Why I have been there so many times me and a Gila monster go by first names. It is very hot, very dangerous and cholla do hurt like hell. We are a well seasoned team, but stuff happens.

Anyway SH, you know what I am talking about. So much more to it than the picture painted above portrays.

Later,

My brother Ali had a band out in the desert too.

EB
 

Here's a shot of TP looking down at something looking up at something.
If you're looking for extras, there's plenty to see just about anywhere in the mountains.
But the more you see, the more likely you wind yourself up and start going in circles, and the good stuff is missed.

100_1528 looking.png
 

Now if TP was to look up, this is what he'd see, which might actually be something that the person who made the stones was also able to see.
All I had to do, was turn 180 and take the shot. Already knew it was there, right where the dagger showed it to be.


100_1529 priest.png
 

He don't get much sun, that's for sure. Backed into the wall like that.
But once you've seen him, he's always there....watching over things.
 

He don't get much sun, that's for sure. Backed into the wall like that.
But once you've seen him, he's always there....watching over things.

SH,

Very busy sign area and as you stated above the number of images could drive you crazy. To move forward and work this site will take time, a number of future visits, photography and minimal hiking (within the site area).

The first thing I would do is to stand in the same area as the priest and look in the direction that he is looking. If you cannot recognize a face or see his eyes then you will need to revisit the site at least once a month and take another batch of pics from different angles in the same locations on each shoot. The stacked images need to be separated in order to recognize the important clues. This can only be accomplished by taking pics while the sun's rays move across your structure. So, you must determine the time that the sun first begins to move across the structure until it leaves it. Yes, this will be time consuming, but could also become very rewarding.

The most important area of focus will be to determine what the Priest is looking at for his eyes may be looking at an earthly treasure. This art work was not only created to locate a cache, but also constructed as a memorial and testimony of someones' life work, a type of physical immortality so to speak.

You have found a good site to work, its time to follow the Priests' instructions. Whatever was left behind is most likely still there.

Need any help drop me a line.

Ellie B
 

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