Well I have contacted him three times now,
once to ask for a good translator of classical works for confirmation of my Cypher Stone Solve,
and once to show the picture I have of the lid of the Tomb of Christ to him, to see if he would consider the graphics part of a continued documentary, one that evolved from his original works, and used another classical piece from Poussin to actually finish the codes he started to solve (the full solve is hidden in a few pieces, and requires all of them)
then once to just flat out show him the evidence in full, to be able to get somewhere in his circle of connections, and each time he replied with "too busy right now"
so I am thinking he has no idea of the completed mapping of the area, is working his Shakespeare/Bacon solve to the grissle, and will come up with burnt toast when his Cyphers only grant insight to the Nolan Cross ( A map to the final location's many troves at an area that has been de-forrested and delineated with markings everywhere), and the other coded cyphers needed to break the location down to a sequence to follow to the end will be overlooked searching where he found some marker stones ( a scale map like the stones with holes, and sextant ship stones).
When looking for the treasure...know this
1)Shakespeare held the English codes in his works.......Bacon helped to merely encrypt the ideas in the writings of Shakespeare together for an English speaking finder to get the clues on Oak Island finished, showing additional locations, and itemized listings, with directions and distance. The
PALIMPSEST on his tomb and the writings confer drawings are hidden as codes.
2)The French hid the map in the works of Poussin, in the Shepherds of Acadia, to direct one through the voyage to the new world in Acadia, to find the Cerro Punto and the many rays of the Diamond it forms on the map, like a shining trove.
ABSCISSA of the route taken can be found on the map formed by a y axis variance from a beginning point in Giza, moving through Chateau Le Rennes and forming a direct line to the Cerro Punto. The map is laced into the outlines of shaped on a 2D grid of the globe, with major vector points of navigation transposed onto the work of art.
3)And the Spanish used the Peralta Stones.........they dug the pit itself....laid the stone in the pit using a dual Cypher with a forced Cypher in english, leaving the one triangle to show the look of the final location with two lay lines, but the Spanish translation is also able to take you to a descriptive location "Some Leagues Away"...and also laid out the terrain in the area surrounding in the final location with a central triangulation with two overlaying lines, the same shape as the triangle on the stone. This leads you directly to the Tomb itself.
KRYPTOS
Nobody else,
ONLY WW has this figured this out, so its really a breakthrough to see them all working together, as the Knights Templars were known to have made this journey throughout Europe for a long time before and after these mysteries began.
I hope this series continues to find more evidence that reconfirms our finds on each of the areas we are working on, and I hope that after we each get a chance to form a series about the individual locations, that we can all converge on the place I call heaven on earth. !
this winds up being the end of the solve of not just the Bacon Mystery, the Mystery of the Superstitions/Lost Dutchman/Peralta Troves, but the finishing of the deciphering of the location of the Lost Templar Troves and the Temple of Jerusalem Artifacts in Nova Scotia as well.
this is the real Indiana Jones, the real code breaker and wind talker right here.
Kryptos itself. On the grounds of the CIA, is also set up somehow to show exactly what i have highlighted to you in Bold letters
'Europe Sections intercepted a German communique from Cairo to
BERLIN. For the last 2 years the Nazis.' is the last solve of Kryptos.....K4 is now cracked....
This is too unreal sometimes......get back to me with questions and i can pm you some more info......
At Last Some Bacon
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