δικός μου !
So, what is she saying belongs to her, Marius ?
Think I'd steer clear of that one....
"Timeo Danaos et dona ferentes"
The girl says " Δικό μου " which means " It's mine " . The word which you posted " δικός μου " means " he's mine " .
Also the guy is singing in the refren :
At the end of the following
the rope I find from the sea's bottom ,
a pirate ship for the first resalto( attack ).
On the sharings, I never knew my share well
Now for the first time I know what it's mine.
As Casca replied to Cassius....
"But those that understood him smiled at one another and shook their heads. But, for mine own part, it was Greek to me."
Much like the Stone Maps are to most folks IMO.
However the three Latin words " MEUS" on each of the artifacts, the Latin Heart and Cursum Perficio, may provide an answer as to who was responsible for for those parts of the bigger picture. Unless they refer to the two Latin Texts, one of which included the CP sketch, that were found back then, where there still could be a third book waiting to be found in the same area ? Perhaps with more information ?
Still....could be something else, more familiar to those who were educated in the same "Holy Faith" as the map maker(s).
δικός μου !
So, what is she saying belongs to her, Marius ?
Think I'd steer clear of that one....
"Timeo Danaos et dona ferentes"
And if you just wonder how the infinity sign from the lower stone map trail looks like.
View attachment 1719328
What is really fascinating , is how if you will find the heart , then at the same time you will find and the warrior head , because the heart is embedded in its face .
View attachment 1682583
Perhaps.
To someone "sitting in a tin can....far far away".
The symbol might represent two excavations, adjacent to and perhaps connected in some way.
There was some kind of reference to a mine shaped like an hourglass in literature about the LDM (for those who believe there's a connection between the SM's and LDM)
Or two round boulders against each other, but clearly visible from ground level, since I'm sure that is where it was intended for the stones to be used.
Even a number eight, since there is also a "1", a "4", and a "7" (or two sevens maybe), on the map stones .
I suspect the first explanation I've listed here, and that it represents the location of the "crossover" from the Latin Heart translation.
Fauces can be translated a number of ways Marius.
https://www.wordhippo.com/what-is/t...dacd0f9edc35ee90fc72f17a0f602a38c4cd3426.html
You will need to put your boots to work out there in order to be successful at this.
Sat views and blue pictures of shapes just won't do the trick, and will only lead to frustration.
I believe all the translations fit with the image.
I am very succesful at this more that you can imagine and my boots have dust from many places that you never will walk.
And about my pictures, sat or blue, are from the place where the stone maps lie. Take them as they are and ignore them if you want. But don't doubt them because you don't know the truth.
I have no doubt your boots have dust and probably more on their soles from places I will never go... in this lifetime at least.
And I'm also sure that mine have trod many a place which you are unlikely to see, other than on your computer, tablet or cell phone screen....and only IF I tell you where to look.
But belief does not always translate to "success" IMO, and so it is that ultimately, very few will share your confidence where it's based on pictures from sources other than a camera operated by your own hands, nor by indistinct shapes from those and/or sat views such as you have often posted as proof of same.
That is what is truth to me, I'm sorry to say.
"Personally I feel very succesful [sic] in what I have planed [sic] to do."
There is nothing wrong with feeling successful Marius, but having your feelings accepted by others involved in this pursuit can be very difficult.
Simply attempting to be the biggest drum in the concert hall is not enough, and I myself, wouldn't expect it to be. After all, though very loud and thus meant to draw the listeners attention, such instruments are mostly full of air, and that attention ultimately returns to what the rest of the orchestra has to offer.
While your own criteria for success appears to be fulfilled by self proclamation and promotion based solely on your use of borrowed landscape imagery, many of us follow a stricter set of rules.
These rules require the presentation of evidence such as personal photos of places visited as well as artifacts discovered in those locations.
That's just the way it is.