Matthew Roberts
Bronze Member
This thread about the Brownie Holmes Manuscript is in answer to a question cactusjumper asked on a separate thread.
The Holmes manuscript has been the focus of many spirited discussions, disagreements and misconceptions over the years since it first surfaced in the early 1960’s. Allegedly written by George “Brownie” Holmes, Holmes denied being the actual author but did admit that he furnished a lot of the information that the manuscript contained.
The Holmes manuscript is 41 typed pages, a Forward, 12 chapters, and a 9 page Dutchman story addition entitled, The True Story Of The Lost Dutchman Of The Superstitions As Told To Me By My Father Dick Holmes, By Jacob Wolz On His Deathbed.
It is clear to anyone reading the manuscript that the 9 page Dutchman story addition was written in a much different style than the rest of the manuscript which deals mostly with Brownie’s life and stories of his experience with his father and other lost mine hunters. This 9 page Dutchman story addition is oddly sandwiched in between chapters 2 and 3 almost as if it were inserted after the rest of the manuscript had been finished.
Brownie was not a writer, author or typist so in 1944 he employed someone who was to help him put together a story of his life and his account of the Lost Dutchman Mine as told to his father by Jacob “Wolz”. That man was Charles Kenison a former Phoenix newspaper man and author of several articles.
Between Brownie and Kenison no fewer than 4 separate versions of the manuscript were compiled. Brownie liked none of them and their disagreements eventually ended the project.
According to John Higham, in the fall of 1945 Charles Kenison delivered to John Lindley Higham a copy of one of the versions of the Holmes manuscript. Higham was a local author also known as Charles Fredrick Higham who had in 1946 written his own Lost Dutchman Mine book entitled, The True Story Of Jacob Waltzer And His Famous Hidden Gold Mine, The Lost Dutchman.
There was a discrepancy between Kenison and Higham of when exactly Higham received the manuscript. Higham says it was 1948, Kennison said it was 1944 the year it was written. This is important because if Kenison is correct it seems Higham wrote his 1946 book based largely on the Holmes manuscript.
Other than Kenison, Brownie and John L. Higham, no one else knew anything of this Holmes manuscript until November 1, 1962 when John L. Higham donated it to the Arizona State Department of Library and Archives. It was soon after “discovered” by the general public and caused quite a sensation. Brownie Holmes was set upon and hounded by an army of lost mine seekers and questioned relentlessly concerning the “Wolz story and deathbed confession.” Finally in desperation Brownie withdrew and denied being the author of the work.
I have always wondered why Higham waited 14-16 years (depending on whose story you believe) to donate the manuscript to the Arizona Library and Archives and make it public? Higham and Kenison knew each other but were not particularly close or considered good friends. Hardly anyone was considered a friend of Highams, he had an extremely abrasive personality. Higham and Brownie Holmes were not friends by any stretch of the imagination. In fact Higham went out of his way to disparage Brownie and Dick Holmes every chance he got.
When Higham donated the manuscript to the Archives he inserted into the manuscript his own personal view of the work which was a scathing review. The amusing thing about Higham’s case against the Holmes manuscript was in trying to disprove Brownie’s “facts” he used “facts” of his own that were so outrageously ridiculous and false it made Brownie’s manuscript look positively scholarly.
Another thing I have always wondered about was the actual manuscript that is in the Archives. I have read that very work and there is something strange about it.
Both Higham and Kenison stated it was Kenison who gave Higham the manuscript. The manuscript Kenison gave Higham is typed with an old style typewriter. Higham added two separate pages of his own to the donation, both pages were typed overviews and his assessment of the manuscripts unworthiness. What I find strange is that all the donated work, Kenison’s and the pages Higham added were all typed on the same typewriter. At least two of the typewriter keys had defects and the same defects are on both Kennison’s copy and Higham’s additions.
Unless Higham used Kenison’s typewriter I don’t understand how this could have occurred. This raises a lot of interesting questions. Did Higham retype what Kenison gave him? That would seem unlikely because Brownies original signature is on the manuscript. And if Higham did retype it, did he type it faithfully or did he change and add his own version to things? After all, there was no love lost between Higham and Holmes. Could this be why Brownie denied the authorship of the manuscript until he died?
It’s interesting to speculate on the many paths this story could have gone down. Fortunately we don’t have to rely on the Holmes — Kenison manuscript for the story of Wolz-Walzer-Waltz and his deathbed confession. Brownie Holmes was taped in interviews by four separate people (David Russell, Monte Edwards, Tom Kollenborn and Greg Davis) between 1975 and 1979 giving specific details about the things the Dutchman told his father on his deathbed.
In addition, Clay Worst, a longtime friend and partner of Brownie Holmes was given a detailed firsthand account by Brownie. Clay uses Brownie’s account to make a “Dutchman” presentation each year to a crowd at the Superstition Mountain Museum in Apache Junction. Clay will give that presentation again on January 7, 2016 for anyone who wants to hear the story the way it was passed down from Jacob Waltz to Dick Holmes to Brownie and finally to Clay.
Personally I believe the Holmes account of Waltz’s deathbed confession. Not every word, word for word but the basic premise of it. I believe it as well as a story can survive given time and being passed down through three or four persons.
I believe the account also because of something Clay Worst told me once. I was staying with Clay at his house for a few days and one evening after dinner we were sitting outside on Clay’s back porch talking and watching the sunset reflecting off Superstition Mountain. Clay told me about Easter Sunday 1980 when Brownie had come out to have Easter dinner with Clay and his wife Muriel. Brownie Holmes was 87 years old and in failing health. After the dinner Clay and Brownie had gone out back on the porch and Brownie began to reminisce about the old days. Pausing as he gazed off at the mountain Brownie turned to Clay in all seriousness and spoke these words, …. “Clay, I don’t know if the Dutchman lied to my father or not, but I know my father never lied to me, and I know I never lied to you.”
Five days later, on Friday April 11, 1980, his 88th birthday, George Brownie Holmes passed into eternity.
The Holmes manuscript has been the focus of many spirited discussions, disagreements and misconceptions over the years since it first surfaced in the early 1960’s. Allegedly written by George “Brownie” Holmes, Holmes denied being the actual author but did admit that he furnished a lot of the information that the manuscript contained.
The Holmes manuscript is 41 typed pages, a Forward, 12 chapters, and a 9 page Dutchman story addition entitled, The True Story Of The Lost Dutchman Of The Superstitions As Told To Me By My Father Dick Holmes, By Jacob Wolz On His Deathbed.
It is clear to anyone reading the manuscript that the 9 page Dutchman story addition was written in a much different style than the rest of the manuscript which deals mostly with Brownie’s life and stories of his experience with his father and other lost mine hunters. This 9 page Dutchman story addition is oddly sandwiched in between chapters 2 and 3 almost as if it were inserted after the rest of the manuscript had been finished.
Brownie was not a writer, author or typist so in 1944 he employed someone who was to help him put together a story of his life and his account of the Lost Dutchman Mine as told to his father by Jacob “Wolz”. That man was Charles Kenison a former Phoenix newspaper man and author of several articles.
Between Brownie and Kenison no fewer than 4 separate versions of the manuscript were compiled. Brownie liked none of them and their disagreements eventually ended the project.
According to John Higham, in the fall of 1945 Charles Kenison delivered to John Lindley Higham a copy of one of the versions of the Holmes manuscript. Higham was a local author also known as Charles Fredrick Higham who had in 1946 written his own Lost Dutchman Mine book entitled, The True Story Of Jacob Waltzer And His Famous Hidden Gold Mine, The Lost Dutchman.
There was a discrepancy between Kenison and Higham of when exactly Higham received the manuscript. Higham says it was 1948, Kennison said it was 1944 the year it was written. This is important because if Kenison is correct it seems Higham wrote his 1946 book based largely on the Holmes manuscript.
Other than Kenison, Brownie and John L. Higham, no one else knew anything of this Holmes manuscript until November 1, 1962 when John L. Higham donated it to the Arizona State Department of Library and Archives. It was soon after “discovered” by the general public and caused quite a sensation. Brownie Holmes was set upon and hounded by an army of lost mine seekers and questioned relentlessly concerning the “Wolz story and deathbed confession.” Finally in desperation Brownie withdrew and denied being the author of the work.
I have always wondered why Higham waited 14-16 years (depending on whose story you believe) to donate the manuscript to the Arizona Library and Archives and make it public? Higham and Kenison knew each other but were not particularly close or considered good friends. Hardly anyone was considered a friend of Highams, he had an extremely abrasive personality. Higham and Brownie Holmes were not friends by any stretch of the imagination. In fact Higham went out of his way to disparage Brownie and Dick Holmes every chance he got.
When Higham donated the manuscript to the Archives he inserted into the manuscript his own personal view of the work which was a scathing review. The amusing thing about Higham’s case against the Holmes manuscript was in trying to disprove Brownie’s “facts” he used “facts” of his own that were so outrageously ridiculous and false it made Brownie’s manuscript look positively scholarly.
Another thing I have always wondered about was the actual manuscript that is in the Archives. I have read that very work and there is something strange about it.
Both Higham and Kenison stated it was Kenison who gave Higham the manuscript. The manuscript Kenison gave Higham is typed with an old style typewriter. Higham added two separate pages of his own to the donation, both pages were typed overviews and his assessment of the manuscripts unworthiness. What I find strange is that all the donated work, Kenison’s and the pages Higham added were all typed on the same typewriter. At least two of the typewriter keys had defects and the same defects are on both Kennison’s copy and Higham’s additions.
Unless Higham used Kenison’s typewriter I don’t understand how this could have occurred. This raises a lot of interesting questions. Did Higham retype what Kenison gave him? That would seem unlikely because Brownies original signature is on the manuscript. And if Higham did retype it, did he type it faithfully or did he change and add his own version to things? After all, there was no love lost between Higham and Holmes. Could this be why Brownie denied the authorship of the manuscript until he died?
It’s interesting to speculate on the many paths this story could have gone down. Fortunately we don’t have to rely on the Holmes — Kenison manuscript for the story of Wolz-Walzer-Waltz and his deathbed confession. Brownie Holmes was taped in interviews by four separate people (David Russell, Monte Edwards, Tom Kollenborn and Greg Davis) between 1975 and 1979 giving specific details about the things the Dutchman told his father on his deathbed.
In addition, Clay Worst, a longtime friend and partner of Brownie Holmes was given a detailed firsthand account by Brownie. Clay uses Brownie’s account to make a “Dutchman” presentation each year to a crowd at the Superstition Mountain Museum in Apache Junction. Clay will give that presentation again on January 7, 2016 for anyone who wants to hear the story the way it was passed down from Jacob Waltz to Dick Holmes to Brownie and finally to Clay.
Personally I believe the Holmes account of Waltz’s deathbed confession. Not every word, word for word but the basic premise of it. I believe it as well as a story can survive given time and being passed down through three or four persons.
I believe the account also because of something Clay Worst told me once. I was staying with Clay at his house for a few days and one evening after dinner we were sitting outside on Clay’s back porch talking and watching the sunset reflecting off Superstition Mountain. Clay told me about Easter Sunday 1980 when Brownie had come out to have Easter dinner with Clay and his wife Muriel. Brownie Holmes was 87 years old and in failing health. After the dinner Clay and Brownie had gone out back on the porch and Brownie began to reminisce about the old days. Pausing as he gazed off at the mountain Brownie turned to Clay in all seriousness and spoke these words, …. “Clay, I don’t know if the Dutchman lied to my father or not, but I know my father never lied to me, and I know I never lied to you.”
Five days later, on Friday April 11, 1980, his 88th birthday, George Brownie Holmes passed into eternity.
Last edited: